Reflecting on Ten Years; 9.25.18

Reflecting on Ten Years; 9.25.18

It's been ten years.
Ten years of making dumb skits with friends, short documentaries, filming everyday life, posting shaky concert videos, and vlogging.
In June of 2008 I made my first Youtube Channel, so maybe I'm a little late on this, but wow. Ten years is a HUGE milestone.
RainWaterProductions and the people I worked with on creating dumb videos is what really started me on this life path. I love working with video, audio, and editing. I love doing graphic design, photography, and all other types of digital media. I've written countless amounts of HTML, hosted servers, and ran so many of my own websites over the years.
I don't remember my first video. It's gone forever now, in the abyss of the internet where nothing is really gone forever... And yet, it is.
My original Youtube channel was started in the beginning of what we now recognize as modern internet era. Youtube was in the midst of its third year when I decided to stop watching and start creating. I talked to Youtubers all the time, back before they became who they are today. Ray William Johnson talked to me through messages and comments quite often, and he gave me permission to "remix" his "hit" song Doin' Your Mom. My god it was awful. I'm pretty sure I just ripped his music video from youtube, threw it into Windows Movie Maker, and put another song underneath of it. What the hell did I know? I was like 12. Literally. Anyways, he's coming up on ten million subscribers now. I used to talk to MillyMollyMandy16 who has something like 20k subscribers now. Meanwhile, circa 2008, I had 119 subs and thousands of video views.
Within a year I had over 100 videos uploaded. Thats like 2 a week. I remember making those videos with my friends every single day when we went home from school. It was what we loved to do. I've gotta give a shoutout here to Liz Ring (Capparra, now), Monica Morrisey, and Makayla Aracara. They were my stars.
I remember one time when Liz was staying the night at my house, I had a Christmas wreath hanging outside of my bedroom window. It was late, the lights were out, and we had probably just finished watching a scary movie. Next thing I know Liz is screaming. She scares me half to death and when I ask her what's wrong, she says there's someone staring in the window. So I creep over, slowly, and it looks like there's an outline of a hood... like, an eskimo hood on a winter coat. Nervously we lift up the curtain and -- oh yeah. Christmas wreath. We spent the rest of the night making a 5 minute skit about murderous eskimos and it was probably uploaded by the next morning.
Makayla and I used to skip school. We would stay home and play gamecube, or we would make our own music videos for our favorite songs. One day we made a stop motion video for The Used's "Paralyzed" Get it? Paralyzed? Stop Motion? Hahaha. Man that was a good one. The official music video was also stop motion, and we basically just copied it, but in my house. It took all day to take all of those pictures and edit them together juuuust right. I remember one part of the video I did stop motion of a caterpillar that was in the driveway, and had to wait around outside until I could find a butterfly to photograph, too.
Monica used to just shoot the shit with me. We would screen share ourselves on Chatroulette and Omegle, or just do random vlogs. We loved to do weird stuff on random websites and that actually ended up leading to some friendships. We met Matt Earle on a streaming site where he just went online and played guitar. And we met Ty McAllister on chatroulette, when he told us to put mentos in our diet coke. Nothing happened, because our soda was already flat. So we just drank minty coke and thought that was all that was supposed to happen. Sometimes we would attempt to make our own music, and chronicle our adventures around town.
RainWaterProductions was fun. It was garbage, but it was fun. And then Jessi Slaughter's Dad Called the Cyber Police on me and like that, everything was gone. I had spent the better part of three years uploading so much copyrighted content and I had no idea what I was getting myself into. Sure, half of my videos were original content, but the other half was music videos that we made ourselves (using copyrighted music) or movies that I had ripped off the DVD and uploaded for other people to watch (listen I didn't realize how illegal that was okay). And without warning, my entire channel was deleted.
I had just upgraded to a MacBook Pro and didn't even have my old laptop anymore. The 100+ videos I had made the last three years were gone. I tried contacting Youtube, but they said that there was just so much illegal content on my channel that they had skipped giving me three warnings and just deleted it all entirely. I wanted my channel back - my subscribers, my views, my videos. I conceded to deleting anything that wasn't allowed, so long as I could get my original content back. But, there was nothing they could do. Youtube said they had no way of retrieving it and that I was out of luck.
So, I started a new channel. I decided to make it more professional. I started Darrian Dowdy Productions the summer after my Freshman year of highschool and I made sure to do it right this time. I only use royalty free music in my videos and now I stick to serious work, like documentary and freelance. The skits are few and far between but I hope to make more soon. Now, Youtube runs a little differently. You can have copyrighted music for the most part, but, you get a copyright claim filed against you. All this means is that as long as the owner of the content is cool with it, your video can stay up, and it is monetized for the content owner.
Youtube is a whole different game now. Being a Youtuber can even be a career. But that means that the people with millions and millions of subscribers are going to get way more attention than you are.
My Youtube is for personal use and I generally don't make much money, unless my videos lead to freelance work. I have a whopping 22 subscribers (where are my 140 Facebook followers at?!) and about 14,000 views, for a total of over 700 hours.
Ten years of work have boiled down to just about 75 videos currently on my Youtube channel. You can view them here.
Thank you guys so much for ten years of believing in me. If I hadn't started making these videos in 2008, maybe I wouldn't have taken all of those production classes with Chris Panfil in highschool.
Maybe that wouldn't have lead me to going to college for Media Production at Buffalo State. Maybe I wouldn't have graduated as the top student in my major.
Here's to ten more years of having fun and making memories.

If you want to see what my Youtube channel looked like ten years ago, its available on the Wayback Machine.

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Alternative Medicine; 5.17.18

Alternative Medicine; 5.17.18

With extreme pride and excitement, I am so excited to finally share my latest Documentary project with you all!! I worked on this short film all semester long with my class partner, Kaitlyn Lowe, and we worked really hard to get this final cut done.

We previewed it last week at the First Annual Media Production Student Showcase, and finally presented the whole short film in front of our class on Tuesday morning.

And now, I'm ready to share it with you all!! Thanks so much for all of the love and support, and please enjoy our film!

Special thanks to Southtown Salt Cave & Spa and Buffalo Alternative Therapies for all of their help during this process.

And of course if you have any questions about the different treatments we did I'd be more than happy to answer them! Just leave a comment or message me!

Don't forget to like, comment, share, follow, subscribe, etc.

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Friday the 13th; 4.4.18

Friday the 13th; 4.4.18

Hello all!

If you're already following my facebook, you'd have heard that on Friday, April 13th I'll be releasing a short film we made last fall for Halloween! I've been sitting on it for a while now and thought the first Friday the 13th of the year would be a great time to put it out there.

I can't wait for you all to see it!

xx

Darrian

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SUNYWide Film Festival 8 Aftermath; 11.14.17

SUNYWide Film Festival 8 Aftermath; 11.14.17

Hey everyone! I hope all is well with school and work and life. At this point in the semester, I know a lot of people are kind of starting to go crazy. I, on the other hand, feel a great amount of relief. This past weekend was the 8th annual SUNYWide Film Festival, which my friends and I had been working very hard to organize. Since the beginning of the fall semester, we'd been working to design all the posters, flyers, and postcards to advertise the event. We worked out catering menus, snack and drink tables, and a wine bar. We had to sell advertising to pay for all of this, and lay it out in a program that showcased all we had been working for. It was a lot of work, and now that it's over, a great relief to no longer worry about it every day.

The weekend went relatively smoothly. The first night, our opening gala, featured a live jazz band, wine and hors d'oeuvres, and everyone dressed to the nines. We heard a few words from some of the people who made the event possible, all while mingling and networking.

On Friday we enjoyed hours and hours and hours and hours... of programming. From 9 am until 2 am we saw student films, faculty films, had the opportunity to attend hands-on workshops from animation professionals, music composers, canon representatives, and more. After a lunch break from one of the food trucks available for the event, USA Network's executive producer and writer of the hit show Mr. Robot, Kyle Bradstreet, gave an inspiring speech, showed some clips of his work, and spoke to the audience during a Q&A session. At midnight, we had a special screening to honor the late George A. Romero. After an opening speech from Buff State alum and local filmmaker Kyle Mecca, we had a screening of the 1968 "Night of the Living Dead." Of all the films I saw that day, I have to give a shout out to one that really touched my heart; "Eddie, Milo, and the Box" by Issack Cintron.

Saturday morning brought the awards ceremony and raffle drawing, where students were given thousands of dollars worth of merchandise and equipment from our sponsors. The awards, as listed on the SUNYWide Film Festival website, are...

Grand Jury Award: Torin Murphy, "other real"

Narrative

Winner:  Anthony Riso, "Fraud"

Honorable Mention: Vincent DiVirgilio, "Beyond the Sea"

Documentary

Winner:  Heather Bey, "The Fierce Five Percent: Women in the Sound Industry"

Honorable Mention: Heather Mezynski, "Silver"

Animation

Winner:  Sarah Gaygen, "Kamunyak"

Honorable Mention:  Mattea Guldy, "La Luz"

Experimental

Winner:  Quinn Lachler, "Losing It"

Honorable Mention:  Sam Eisenbaum, "Ode to You and I"

Audience Choice Award:  Jordan Tetewsky, "Bolue Vience"

So that's a wrap for this year's festival. I am honored to have been a part of it, and can only hope for the best in the years to come. Thank you to everyone who supported the event, it is much appreciated.

We are still selling t-shirts through our website, get them while you can!

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SUNYWide Film Festival; 8.30.17

SUNYWide Film Festival; 8.30.17

Hello everyone! I hope you've all had a lovely summer and are ready to get back into the swing of the fall semester (if you aren't in school, lucky you). I started my senior year this week. I can't believe how quickly college has gone, and it's kind of intimidating to think about what I'm going to do afterwards... but for now, I've got a lot to focus on this semester.

I've got a few really light and easy classes just to tie up some loose ends, a class just for fun, and a class that I feel like I've been waiting my whole college career for. This semester, I'm taking a class called "The Film Festival" with professor A.D. Annas. This is a one-time class for Buffalo State, because it revolves entirely around a film festival coming to the Buffalo area.

Ever heard of the SUNYWide Film Festival (SWFF)? This November will be the 8th annual event, which rotates between SUNY campuses every year. This is the first time since SWFF's inception that it has been held at Buffalo State.

The class, created by Annas, is for a small group of students who have been selected to make this event happen. In the coming months, we will be working on different elements such as social media, advertising, marketing, and more to bring this event to life. Our goal is to host the largest SWFF to date!

To do this, we need your help. Follow us on social media to keep track of all of our latest updates, deadlines, and activities.

Can't wait to see you all at Buffalo State, November 9th - 11th!

Instagram | Twitter | Facebook

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Shop

Shop; 7.6.17

Hello everyone! I'm just checking in to say I hope you're all having a great summer so far and had a safe and happy 4th of July.

Today, the Official Darrian Dowdy Productions Online Shop has launched! Check it out here. I hope you guys enjoy the products we have to offer, and hope to have more in the future. Thanks for stopping by!

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The End of a Semester; 5.10.17

The End of a Semester; 5.10.17

As this semester draws to an end, I have to reflect back on all of the opportunities I have been given. I am thankful for the connections I have made in the media production industry, around Buffalo and otherwise. I am thankful to have had access to an incredible arsenal of equipment that I wouldn't have been able to afford on my own. And I am thankful to have built a support system of people who love and cherish this work as much as I do.

I am proud to have completed my first documentary, Hometown Haunts: Urban Legends of New York and hope to continue adding on to what will be an incredible saga. Thank you to all of those who supported this film, and will continue to support it through its release.

On that note, I am looking forward to an incredible summer full of more opportunities to learn, grow, and create work as a filmmaker and photographer.

xx

Darrian

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The road from Buffalo to Hollywood

By Darrian Dowdy

The producers, screenwriters, and special effects artists of Hollywood had to start somewhere. For some people, their road began in Buffalo.

Adam Steigert, Buffalo filmmaker and CEO of Deftone Pictures Studios Inc. (deftonepicturesstudios.com), started working on films in his early teens, when he began writing scripts.

“I was always told to write what you know,” Steigert said. “That’s the best way to tell a story.”

Tyler Cheman, Buffalo filmmaker, started producing independent films in 2012. 

“I began to watch the ‘behind the scenes’ more often over the years, and admired the hard work and dedication going into each and every scene,” Cheman said.

In recent years, the Buffalo film community has been rapidly expanding.

“When I started there was no film community in Buffalo,” Steigert said. “I wish there was the supportive community that there is now in our local scene, but there wasn’t.”

“Buffalo is growing a lot in the industry,” Cheman said. “We as a community have been upgrading equipment for various groups to better our films.”

“Buffalo is a haven for beautiful landscape,” Steigert said. “As filmmakers we can use these landscapes to drive our stories, giving our films depth.

“Our Buffalo film community has flourished, allowing creativity and talent to set the stage. What makes our community so unique is that people all over the world are catching on to what Buffalo has to offer and allowing these talented individuals to stick out, with local film companies finding interesting and creative ways to tell their stories on limited budgets. 

“The best thing is the determination and drive that our filmmakers provide to our community by just going outside, shooting a film, and impacting our community in a way that both support and embrace the people in it.”

Steigert and crew on set of his newest film, “S.T.A.R.” Photo by Dale Shero.

The Buffalo film community relies heavily on every member in order to continue creating pieces of art that go on to be seen around the world.

“Success is really who you know,” Cheman said. “Every project I’ve worked on, I’ve met someone new who has forwarded information, and in the end has bettered [everyone’s productions].”

In the film industry, having connections is one of the most important aspects of success. Visual effects artist Teague Chrystie said that having real connections was his breakthrough point.

“I had a large-enough group of friendly-enough people that when one job ended I could be fairly sure someone else I knew had something starting up,” Chrystie said. “Folks would be emailing me to see if I was available, and that’s the threshold you cross that allows you to stop freaking out about the constantly unknown future.”

Many filmmakers have the dream of working in Hollywood, but it takes a lot of hard work and dedication to actually get there. Chrystie believes it is possible for local filmmaking to lead to just as successful of a career as Hollywood filmmaking.

“Do the exact thing you want to do in Hollywood in your small town,” Chrystie said. “The person who stayed back home and faced what felt like a big adversity by trying to make films in their uninspired hellhole will have finished two features,... one of which ends up on the festival circuit, and they beat their own path from there.”

Visual effects artist Ryan Wieber has forged his path in Hollywood.

“I started applying for jobs in visual effects at various TV and feature film visual effects companies all over the place, including where most of the work is, in Los Angeles.” said Wieber. 

One of his most recent jobs was as a digital compositor on “Star Wars: Episode VII - The Force Awakens.” Wieber was hired by Lucasarts (lucasfilm.com) for the Visual Effects department after submitting his reel of freelance work.

“Most of my time on the movie was spent working on sequences where holograms had to be designed and composited, such as BB-8's map projection on the Falcon,” said Wieber.

Chrystie is currently working on a movie called “The Circle” starring Emma Watson and Tom Hanks. He works directly with the editor, visual effects supervisor, and director to stylize the film’s graphics.

“I've been designing graphics and animations for the social media stuff we see in the movie,” Chrystie said. “It's been an absolute blast so far.”

Cheman’s next film, “The Agents: C.O.D.E.” is a spy comedy. Set in December of 1999, a madman tries to take over the world by launching a post apocalyptic attack in what would have been the real Y2k.

Billy Nemi on set of Cheman’s newest film, “The Agents: C.O.D.E.”

Production still courtesy of Tyler Cheman.

Steigert’s next film “S.T.A.R.” is currently in its post-production stage, being prepared for release.

Even with years of hard work and dedication, not every independent filmmaker will make their big break in Hollywood. Many will stay in their hometowns, taking jobs and doing independent films on the side.

“If you do that and it works, Hollywood will find you,” Chrystie said.

“Always ask yourself, ‘What’s the end goal?’” Steigert said. “If it’s just to have a good time and make some art with some friends or fellow filmmakers, then enjoy every minute of it.”

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A behind the scenes look at editing

By Darrian Dowdy

Movie stars spend weeks, possibly months, perfecting their roles. But the real magic takes place behind the scenes in the editing room.

Mary Hughes, a senior at SUNY Buffalo State, has been interested media production for 10 years.

“I’ve been interested in photography since I was old enough to work a camera,” Hughes said. “My brother and I both got computers, and with the computers came these really [low-quality] digital cameras. Once I got my hands on that, I was hooked.”

Zach Cassidy, another Buffalo State senior studying media production, said that, “The first time I remember thinking I wanted to work on movies I was about ten years old… I said, ‘I want to do stuff like that. It looks fun.’”

Hughes and Cassidy want to work behind the scenes, rather than in front of the camera.

“I think production is more interesting because of all the variables that go into it,” said Hughes. “You have to deal with budgets, equipment rentals, location scouting, et cetera.

“Production is about capturing the story you’re trying to tell and then during post production you take all the pieces to the puzzle and put the story together.”

In the television control room at SUNY Buffalo State. (Photo by Mary Hughes)

Production can take more than twice as long as shooting. While shooting may take just a few weeks, post-production can take months.

“Doing something as simple as working with a one-second clip could take as long as a week to motion track. … You need to go frame by frame and adjust it accordingly,” Hughes said.

“I had to take a one-second video of someone who was flinching from a fake gunshot and add blood, a gunshot, and all these other effects. It took about a week and a half to do it all, and it was only one second long.” Cassidy said.

Post-production takes so much longer because extensive technical work goes into it. Editors handle putting together scenes from the filmed footage, adding sound and foley effects, and creating special effects with CGI.

Michael Devine, a student actor, had fun on set with special effects. In the student film “Escapism,” Devine played a villain with a disguised voice.

“I had never heard my voice through any type of audio changer,” Devine said. “There was a drastic difference.”

“The hardest part about audio work is making sure the timing is synced, otherwise it won’t look correct and the viewer will notice something is off,” Hughes said. “You take a scene and have to add every audio element imaginable.”

“It’s just so much fun creating something from nothing,” Cassidy said. “It’s just a great way to share any story you want.”

“It’s a tedious and time-consuming process but the final product always comes out really awesome,” Hughes said.

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Ten years of film at the BNFF

By Darrian Dowdy

Hollywood came to Buffalo this week at the Buffalo Niagara Film Festival.

Filmmakers, writers and audiences came to the Tonawanda Castle to watch the premiere of nearly 40 independently produced films over the span of five days.

Buffalo filmmaker Rob Imbs entered his feature length film, “Game Changers” into the festival this year. It is his second time showing a feature length film at the event.

“The first time I entered a film I directed was six years ago,” Imbs said. His film “Couch” won one award.

“I wasn’t shocked that my film [“Game Changers”] got in because I have a direct relationship with this festival,” Imbs said. He was a founding member of the Buffalo Niagara Film Festival, which was established in 2007.

Imbs, along with his cast and crew, spent over three years working on “Game Changers.” He said their original goal was not to enter the festival, but the opportunity came after production finished.

“Your hometown is going to support you more than anyone else if you’re an artist,” Imbs said.

One of Imbs’ main goals with this film was to give exposure to his actors.

“I have an obligation to them,” he said. “They’re my friends.” Imbs said that entering films into festivals is the best way to get exposure.

“A lot of people who come, the filmmakers, you get to know each other as friends,” Imbs said. “It’s a way to get to know people from other parts of the world. … The world is so small now with Twitter and Facebook, when you make a relationship with someone in another city, they open up opportunities for you.

Buffalo Niagara Film Festival bus outside of the venue in The City of Tonawanda.

(Photo by Darrian Dowdy)

“Socializing and networking face to face is much more different and gratifying than what we take for granted with social media. … Without going to festivals in a small market, you don’t have the opportunity to spread your wings and meet people.”

Eric Vollweiler, a volunteer at the event, said, “This is my first time at the Buffalo Niagara Film Festival…. I think the people that are working on the festival are very nice and polite.”

Imbs said that with each project he takes on, he wants a bigger challenge.

“I try to take better projects as I get older. They’re capable of being more rewarding for me,” he said. “The older I get, the less interested I am in remaking the same level of projects. Ten years from now I’d want to be working with big name actors and bigger budgets to make better work.”

Imbs said the best part of any film festival is seeing your own work, as well as the work of others.

“I think the movies that they are screening are very interesting,” said Vollweiler.

“As a filmmaker going to a festival, especially if your film is in it, you get a unique and gratifying experience,” Imbs said.

For more information on the Buffalo Niagara Film Festival, visit thebnff.com

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The art of acting

By Darrian Dowdy

From forest fairies to Shakespearean princes, Monica Morrisey has a diverse portfolio of other personas she has embodied as an actress. Morrisey, a theater major at Niagara County Community College, has been acting since she was 12 years old.

“I’ve wanted to do something performative since I was little, and middle school musicals were what initially introduced me to acting,” Morrisey said.

Last spring, she played a fairy in the locally produced show, “420: The Musical.” This show, written in 2011 by Buffalo comedian John Kehoe, has been performed annually on April 20 in the Elmwood Village.

Morrisey, center, plays a fairy in “420: The Musical” in Buffalo, April 20, 2015. Photo by Darrian Dowdy.

It features Jerry the stoner, who falls asleep and wakes up in the Land of 420. It follows his story as he tries to find the meaning of happiness.

“It was a lot of fun,” Morrisey said. “That’s where I first started to break through my comfort zone as an actor.”

She is skipping the Land of 420 this year, and moving on to the City of Verona. Morrisey will play Mercutio in NCCC’s spring performance of “Romeo and Juliet.”

“In this production, we’ve placed a lot of attention on [gender in Verona],” she said. “Verona is in present day, it’s urban and dangerous…. Romeo, Mercutio, Benvolio, the princess, and the apothecary are all played by women…. We’re portraying the characters as women.

“To play Mercutio as a woman took a little more work compared to other roles I’ve had. Shakespeare gives Mercutio this heavy monologue in which he talks about women in disdain. As a woman, is that resentment or resonance?”

Michael Devine, a theater major at Buffalo State, also has some Shakespearean experience.

“I have read Hamlet, Macbeth, Romeo and Juliet, and a Midsummer Night’s Dream,” Devine said. “It has made me think of stage acting as a small piece of the idea of acting…. It is behaving believably under imaginary circumstances.”

He has taken the skills learned from live theater and applied them to acting in film. He is not currently working on any projects, but plans to over the summer. 

“Theater has given me perspective and something to rely on when preparing for a film,” Devine said. “Theater will teach you what acting is and will better prepare you.”

“I think it’s important to have an introduction to theater when doing a film,” Morrisey said,  “but there are a lot of fundamentals that you have to throw out the window when you do a film.”

Morrisey and Devine agree that film is an individual entity.

“Film is more precise,” Devine said. “It’s specific action, whereas stage is a bit more free and has more range.”

“Hurry up and wait,” Morrisey said, “You hurry up, get into costume, get all your props, be ready, and wait for when you’re called.”

Morrisey says that she prefers theater over film. “Will I [continue to] audition for films and take parts? Absolutely, but it’s not my end all…. Buffalo runs on this schedule where everyone has a day job, and they act, rehearse, audition at night.” Morrisey hopes to follow that path.

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Buffalo as a backdrop

By Darrian Dowdy

Buffalo has been invaded by zombies, pigmen, and aliens in recent years. 

Tyler Cheman, a local filmmaker, has been witness to this since the fall of 2012, when he began his work in the film business.

“ALIVE: An Undead Survival Series,” Volumes 1 and 2, were written and directed by Cheman. The series follows a small camp of apocalypse survivors just outside of Buffalo who must travel deep into the city for more supplies.

“Sci-fi holds a strong grip on Buffalo filmmakers,” Cheman said.

Science fiction has influenced the town of Angola, where the legends of Pigman and Holland Road have been the subject of movies such as “Holland Road” and “Pigman,” as well as being featured on Travel Channel’s television show, “Destination Fear.”

Local legend says that Holland Road is haunted by the ghost of a serial killer, Pigman, who kept pig heads on stakes around his home to keep people away. Jason Dunlap, a student at Brooklyn College, directed the documentary “the Horrors of Holland Road.” 

Holland Road - Darrian Dowdy

“I think that it's so popular due to the controversy surrounding the area. Everybody has their own personal ghost story regarding the place, and it makes for an exciting location,” Dunlap said. The documentary was entered into the Nichols School Flick Fest, where it was nominated for Best Horror Film.

One of the most notable locally produced films is “The Final Night And Day,” a feature length science fiction film directed by Hamburg High School alumnus, Adam Steigert.At the second annual Buffalo Screams Horror Film Festival, the film won the award for Best Western New York Horror Feature. It is the largest locally produced independent film, with over 1,200 cast and crew members. 

Steigert is also known for his production of “Ombis: Alien Invasion,” which filmed at many unique locations such as Buffalo’s grain mills and the Cheektowaga town hall.

Despite Buffalo’s love for the supernatural, Cheman wants to move forward from it. “That’s why I wrote an action spy comedy,” Cheman said about his current project, “THE AGENTS: C.O.D.E,” which will be rated R. 

“It’s hard to write PG-13, because as a writer and filmmaker you try for so long to make it a quality film,” Cheman said. “And then the evil angel on the shoulder says… It’s better the other way.”

As Cheman continues to write and direct his own films, the local community is starting to change. 

“There is a lot of Screen Actors Guild (SAG) work slowly coming to Buffalo,” Cheman said. “It will be costly to have those kind of films but it is something that the local film community is preparing for.”

“I would like to see independent work that really explores the city: shows it as the living, breathing character it is,” said Dunlap.

“Dreams can be expensive,” Cheman said, “but having a heart for something is always free.”

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The Horrors Of Holland Road

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From Los Angeles to Buffalo: A night at the Oscars

By Darrian Dowdy

Michael Devine spent Oscar night in a suit and tie, walking the red carpet, and posing for photos. He even took home the award for Best Actor.

Devine, a theater major at SUNY Buffalo State, wasn’t in Hollywood. He was on campus at the 9th Annual Television and Film Arts Night at the Oscars, a multimedia gala celebrating the Academy Awards as well as Buffalo State student films.

“It was very classy, right from the start,” said Devine, who starred in three student films nominated for awards. “Everybody was dressed up, it was very formal. ... A fantastic atmosphere.”

Community members were invited to walk on a red carpet and view the Oscars projected on the big screen in the Student Union Social Hall, all while enjoying live music and complimentary refreshments. 

Oscars Poster - TFA Program

The Sunday evening event also encouraged audience members to vote for the best student films of the year. The films were available for prior viewing online, or at iMac terminals set up around the hall. The awards of the night were Best Director, Best Screenplay, Best Picture, Best Actor, and Best Actress.

Devine assumed he won his Best Actor award for the short film, “Affinity.” 

“I don’t know for sure,” he said. “There was just a name attached to the category, there was no film attached to the name.”

TFA major Eliza Zanolli-Stiles was the director of “Affinity.” The three-minute short film is about a man whose world goes black and white after a recent breakup, until he meets a new woman.

“His world gradually begins to turn back to color,” Zanolli-Stiles said. “Affinity” won her the award for Best Director. “This was a film that I was very proud of and put a lot of work into, and I was glad to be recognized for that.” She also took home Best Actress for her work in three films.

Other films recognized at the event were “I Like You A Latte” for Best Screenplay, and “The Devil’s Dime” for Best Picture.

Jordan Sims, writer, director, producer, and editor of the short film “Solid Foundation” said, “It’s a chance to showcase our own work. … It’s our own little taste of what the future may hold.”

“It’s not even about winning awards,” said Zanolli-Stiles. “It’s just to showcase [the] work work that [we’ve] spent so much time and energy on.”

The audience turnout this year was lower than past years, Sims said. 

“I think that’s more to do with the Oscar’s themselves…,” he said “It’s not appealing to the mass audience anymore. The Oscars are getting too far into their own little bubble, and they forget that we’re all normal people. TFA can get better and better every year with this Night at the Oscars, but if the Oscars themselves aren’t really that interesting, it’ll kind of all be in vain.”

 
“I hope to see it grow,” Zanolli-Stiles said. “I think we have a pretty good thing going right now and hopefully it will continue to evolve as the years go on. … It’s such a unique experience.”

“It was very nice and very humbling to see that my work is noticed,” said Devine. “It changed me as a student film actor.”

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